The palimpsests of visual art reveal a multilayered structure in which temporality and materiality are inextricably intertwined. The fragments presented here originate from the frescoes of a North Italian basilica, spanning from the 11th to the 17th century. In their stratified presence, they not only preserve traces of past artistic interventions but also enter into a dialogue with the signs of the present. Thus, they unfold as a meditative reflection on the truth of the image—a continuous interplay between the visible and the concealed, between superimposition and revelation.